![]() Use this noise profile on the whole file at 100% for a quick way to remove the majority of the bothersome noise. You now have a noise profile of only the lowest frequencies, which include such things as turntable rumble. Then open up noise reduction, and capture the profile. Zero in and select several milliseconds of the sound between 0 and 300 - 400 Hz. While looking at the silent section between two songs, switch the view to Spectral View. Here is an alternative method of noise reduction for the lazy restorer, such as myself. ![]() Others here may have a different opinion on these settings. If I experimented with these settings further, I might get better results, but having already spent hours on this, I'm not inclined to do so. I set the noise reduction level to 80%, the FFT to 8192, the "Reduce by" to 20 db, the precision factor to 9, and the smoothing amount, the transition width and the spectral decay all to 0. If you use it on the whole file, you will definitely hear artifacts on the high frequencies. This is a very aggressive crackle remover, and since there's no music in between the songs, it works very well.Īt this point, you can capture a noise profile of the silence between two songs and use it *only* on the silent segments between the other songs. On this segment, I will apply AA's auto click pop eliminator, using the "heavy" setting. I generally use the "33 1/3 Normal" setting.Īfter I run Click Fix on the whole album, then I will zero in on the spaces between the songs, including a small bit of the fade out of the previous song. This plugin is very fast compared to the click pop eliminator built into AA, and juts as thorough if not more so. Which version of Audition are you using? Here are some things that work for me in AA 1.5.įirst of all, let me repeat the url for ClickFix listed above: But what settings would achieve the same thing for the file without destroying the sonics? I successfully killed one click by isolating it manually and then clicking 'remove single click'. Do I have that right? Are there any drawbacks to doing this?įinally, what are good settings for removing clicks and pops. I assume that applying the noise filter with the captured sample essentially 'subtracts' the same type of noise throughout the entire file. ![]() ![]() I am guessing that the theory is that the same surface noise exists on the entire record but is only audible during very quiet moments. Then I noticed that you could apply the same profile to the entire file. The transition from one track to another was much smoother and there was no surface noise. ![]() It worked great! Inter-track noise was inaudible without inserting silence. Then I applied noise reduction, using this pattern, to another track space. I did this with the 'silence' between two tracks. While trying to solve problem #1, I discovered that you can select a bit of the file and save it as a 'noise reduction profile'. I am also trying to find the best settings for eliminating clicks and pops without destroying any of the 'air' in the recording. The idea is to reduce the noise between tracks to near zero without actually generating silence. I am fairly new to Audition and have been experimenting with the same needledrop for days. ![]()
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