![]() She joined Christian Dior and Karl Lagerfeld as a member of the Chamber Syndicale de la Haute Couture in 1977, when she also opened a showroom that was frequently visited by up-and-coming Japanese contemporaries like Kenzo Takada and the late Issey Miyake. While one of the most prolific costume designers in Japan, working on hundreds of films such as Yoshishige Yoshida’s Farewell to the Summer Light, Mori never neglected her namesake label. It officially put her on the international map: Hillary Clinton, Nancy Reagan, and Princess Grace of Monaco all became clients in the years that followed. In collaboration with Japan Sen-I Shimbun newspaper, the newsletter aimed to report the latest world fashion news illustrated. ![]() This was a newsletter publication distributed to customers in Hanae Mori boutiques at the time. From 1966, she also began publishing Mori Hanae Ryuko Tsushin. A visit to the atelier of Coco Chanel in 1960 solidified her passion for couture, and five years later, she mounted her first runway show (titled “East Meets West”) in New York. Butterfly caftan (1976) by Hanae MoriIwami Art Museum. The designer then gradually made her way to Europe and the U.S. ![]() In 1951, she opened her first atelier above a noodle shop in Hiyoshiya, often dressing the wives of American soldiers in the wake of World War II. The Japanese broadcaster NHK reports that Mori, who was nicknamed “ Madame Butterfly,” passed away last week.īorn in Shimane, Japan in 1926, Mori attended a dress-making school after studying literature at the Tokyo Women’s Christian University. The first Asian woman to be formally accepted into the French world of couture, Mori juggled showing at Paris Fashion Week, crafting custom designs for clients ranging from Empress Masako of Japan to bank clerks and Japanese Airlines flight attendants, and designing costumes for hundreds of films over the course of her decades-long career. She opened her Paris studio in 1977 and built an international business that extended to perfumes, handbags and publishing as well as fashion.Hanae Mori, the pioneering couture designer known for her blend of Eastern and Western aesthetics and butterfly motifs, has died of natural causes at age 96. Her first New York show, held in 1965, was acclaimed as “East meets West.” Japanese designers Yu Amatsu, center left, and Hanae Mori, center right, posing for photographers with their models after their 2017 Autumn/Winter Collection show at Tokyo Fashion Week in Tokyo. ![]() She opened her studio in 1951 and was a pioneer of a generation of Japanese designers who became globally prominent. Her umbrellas and scarves, often decked with colorful butterflies, were a status symbol with working women. With her motto, “You feel decent, no matter where in the world you wear them,” Mori wanted to give confidence and dignity to those wearing her designs. The uniforms were not flamboyant like her runway designs, but tastefully professional, appropriate for their roles. ![]() Within the industry, all are regarded as. Other fragrances are Hanae Mori Haute Couture for women, Hanae Mori Homme, HM and Hanae Mori Magical Moon for women. This fruity floral blend is housed in a bottle whose top is in the delicate shape of a butterfly with folded wings. Mori also designed uniforms for Japan Airlines flight attendants, bank clerks, high school students and the Japanese team at the Barcelona Olympics. His first perfume, Hanae Mori Butterfly for women, was launched in 1995. Empress Masako wore a Hanae Mori wedding gown adorned with rose-petal patterns when she married Emperor Naruhito, then the crown prince, in 1993. ![]()
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